Photography by Belgian artist Mireille Roobaert.
Part of the serie "Sphères".
Mireille Roobaert creates spheres from a neutral background, transparent, empty, like the initial chaos. At the latter succeeds the egg, it is the first principle of organization, it contains all the potentialities, and of these potentialities life is born. Here are born the strange images of this photographic series. These spare set scene while referring to a physical reality give free rein to the imagination, everything is possible. The space given to the symbolism is infinite, all antinomies coincide, a world in the making is proposed to us, giving way to all utopias. The egg, the matrix symbolize a primordial state, unconditioned, fullness, sexual autarky, androgyny, but also the creative power of life and both the fragility of the egg. As for her way of working, Mireille Roobaert, uses the term "pixelogrammes", with reference to frames that create photographic images without a camera. At the time we impressed silver halide with light in various media, today this principle is implemented analogously with the pixels of digital photography on a layer. The processes "optical-chemical" are replaced here by "logical-mathematical" methods.
Her artistic work is specially devoted to the recurring themes of false symmetry, surreal impressions of reality, sensations of twisted mirrors or the perception with two faces that shows both the past and the future. The main pillar of her art deals with the reflections of the water, with their symbolic share of fertility, femininity, fluidity, what she calls nicely "MIDMVV": the Imaginary World Of My True Life. In her works, she sculpts the image and models the message. Empty places inspires her and fulfills the meaning. Thus, to fulfill its areas of graphics and colors, Mireille asks what dwells vacuum.
Diasec and Plexiglas
Photography by Belgian artist Mireille Roobaert. Part of the serie "TREES". Dans cette série de photographies, les arbres sont pris comme objet contemporain, ils sont façonnés, tels le sculpteur avec un morceau de bois ou le designer dessinant une table ou un objet en bois. La nature est conceptualisée. Cette conceptualisation pourrait être comparée aux substances , comme l’auxine, qui est à l’origine des courbures des tiges vers la source lumineuse ou autres substances des... View full product details